A young man’s quest to film a wildlife documentary is interrupted by a series of incursions from the outside, including the arrival of a friendly stranger.
Incursion contemplates the question of the arrival in cinema. Structured around a series of incursions—movements that breach the limits of a given world—it reworks various cinematic tropes and registers to consider the relationship between the filmic space and its outside, in turn setting up a series of questions concerning otherness, animality and visibility.